

Pretty good movies.
But I think that also understates how influential they were to superhero popular culture. It bears remembering that prior to the BatTrilogy, for a decade-ish superhero films had been either the squeezed-dry sequels of B-list characters, comedies, aimed largely at kids, and/or barely resembled their source material. While 90s and early 00s Superhero comics were moving through their edgy antihero phases, films struggling to define themselves.
The Nolan Trilogy brought the idea of Batman as a tortured loner, alienated from his family and allies, into the broader popular culture. Batman allows villains to die, spies on innocents, and eschews sidekicks. There is no Justice League. “You either die a hero, or live long enough to become the villain” is not the sentiment that pervaded superhero screen media in the years prior to the Nolan trilogy.
Even if you don’t like superhero stuff, they’re worth watching just as an artifact of mid-late 00’s culture, in my opinion.
I mean, the Zombies in WWZ basically run on magic shields to be a threat. They’re utterly invulnerable to anything Max Brooks doesn’t want them to be killed by.
Like, if I remember correctly, they’re immune to shrapnel and bleeding wounds because “the dead don’t need blood”, and nerve toxins or shockwaves don’t harm them because “the dead don’t have a nervous system”. But somehow removing the head is a 100% infallible method of killing them. What is in the head if not blood and nerves, Max?
These are creatures which casually violate the second law of thermodynamics. If they’re playing by real-world physics, chemistry, and biology, they’re radically less dangerous.