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Joined 1 year ago
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Cake day: January 22nd, 2025

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  • My setup is an old Dell Wyse thin client and 4 external USB drives. The thin client is basically silent. The drives only make sound when they’re active, and spin down when idle. The thin client has an Intel CPU with QuickSync so it can even transcode with Plex. For data redundancy between the hard drives, I use lsyncd to make a poor man’s mirror setup.

    Works great. Lives in a cabinet in my living room.


  • Fully work from home. I start late on Mondays and Thursdays because I have Dutch lessons in the morning. I usually work from my small home office, or sometimes sitting on my sofa or rarely at a cafe. I don’t usually have meetings on Mondays or Fridays and log off at around 5:30. On Tuesday through Thursday, I often work until around 7:00 in order to have virtual meetings with coworkers in other timezones. Most days, I skip breakfast or have something light, and opt for an early lunch (sometimes that’s breakfast food).

    Outside of meetings, I use an automated time management tool to block off times for certain tasks so that I don’t forget to do them daily. The rest of the time is deep work, hopping from project to project. My work is done in 2 week intervals, and I usually accomplish 15-20 project tasks per interval. During the day, I frequently field random notifications to myself or my team in channels on our comm tool. During deep work time, to keep my brain from falling apart, I tend to put on a comfort show or something not too engaging. A large chunk of my work is also stakeholder management, talking people away from metaphorical cliffs that will hurt the business.

    I’m running at 120% at all times. My brain is mush at all times. I’m deeply burned out.




  • I feel like short seasons leads to insufficient time to know the characters, and causes writers to pack in so much plot and melodrama that it’s exhausting to watch. Every second is packed too tightly , always trying to be EPIC. Miss 3 seconds in the episode? Sorry, that plot point was critical and either you go back and find it, or give up on the show. And heavy serialization also requires more of this obsessive watching and a requirement to not forget minor details between seasons. The higher production values result in 2-3 years between seasons, deepening all of the problems above: it MUST be considered epic, it MUST be tightly serialized to every minor detail, and when people don’t live to watch the TV, well, they might as well cancel it.

    Writers also seem like movie writers have come to TV - think up a premise, write a story arc, and then have no idea where it goes after that. The drop off after S1 is usually pretty stark, and then S2 is when it gets cancelled.

    TV having 20+ episodes (almost half of the year with weekly releases) means the characters were around long enough that they can actually build meaningful on-screen relationships. Every episode didn’t have to be a high stakes drama, plot, or writing. Lower budgets per episode means that writing quality, dialog, and character building takes precedence over flash, action, location, and epic camera shots.

    Give me more Star Trek Deep Space 9 and less Marvel-like Star Trek Discovery.

    It also deepens genre-ization. With only 10 episodes, a comedy is a COMEDY. A drama is a DRAMA. We don’t have time to be experimental or weave something more complex.