I think it might be, there’s no way Anakin would be able to buy proprietary hardware or software. So either he stole it, which his mother probably would not have allowed. Or he was able to scrap all the parts together because there is a template for humanoid protocol droids that we have also seen round Star Wars. And then the software itself either Anakin programed entirely himself, (which I know he’s very smart, but even that seems a stretch) or he forked it. So it would make more sense that there was an open source catalog of protocol droid software. It also would make more sense due to the fact that a lot of people have droids, but they are not all created equal. I would think many of the droids on Coruscant were proprietary, while many of the droids in the outer rim are open source.


There is no copyright if you lack the star destroyers to enforce it. Or enough money to pay the headhunters.
Which people love in Star Wars, but then they want their real life to be, like, a slick, nonviolent, white-picket version of 1984 (edit: the novel). I get the psychology, but man, it’s weird. A modest amount of risk seems worth it for, I guess, basic honesty.
I don’t understand. I didn’t talk about a romanticized idea of the past or a fictional universe. Help?
No, but you did talk about the internal logic of the Star Wars universe, and people like Star Wars. So, I launched into a small rant. My bad!
I meant 1984 the novel FWIW, where everything is really centrally controlled.
I tried to depict my belief, that copyright is a artificial construct, which needs enforcement to be effective. If no one takes repressive measures in their hand, people will ignore copyright laws.
I then took some plot devices and organisations from SW which represent repression and control to desribe that train of thought.
I failed to see the connection between this and your response, since you replied to me. But if there is none, that’s fine by me. :)
PS: I think stories need to be larger than life to attract the audiences attention. It’s the same recipe since ancient Greece’s theatre works. Because people are people and they want what they always wanted.