I’ve recently played Resident Evil 6 for the 1st time after playing Resident Evil 4 (an absolute masterpiece) & Resident 5 (a pretty good game). I was already aware of the hate this game got over the years. But after experiencing it, it’s only bad in an artificial way. Like yeah, it’s nothing like the classic games and it’s too much in the action category.

Otherwise, as someone who loves action games, it’s a pretty fun game. Especially in Mercenaries Mode, where it’s fun to mow down body-horror themed enemies. As a Resident Evil game, it’s pretty bad. But…as an action third person shooter with splatter punks, it’s quite well executed

  • sunsofold@lemmy.zip
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    19 hours ago

    Are you aware you’re asking for something that cannot exist? If you don’t have the Shakespearean prose, it’s not Shakespeare. It’s the identifying element of the thing. You can bend and stretch many aspects of a work, but you can’t remove the identifying elements. For poets, like Shakespeare, their word choice is core to the identity of the work. The ‘story’ is almost meaningless.

    e.g. Stopping by Woods on a Snowy Evening and Loveliest of Trees have the same ‘story,’ a man takes a moment to appreciate the aesthetic qualities of a treed landscape in winter, but one would never say they were the same thing.

    • Psythik@lemmy.world
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      17 hours ago

      Why not? If religious people can update the Bible translations to use modern English, why can’t we do the same with non-religious texts?

      • sunsofold@lemmy.zip
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        12 hours ago

        Because the goals are different. They aren’t trying to share the poetry of the various original authors of the bible. They are trying to share the stories of the christian mythos to enable/convince people to be christians. We can create things like a movie from a book or translate a book/movie and somewhat call it the same thing (though, even then, it also somewhat isn’t) because the story/plot is the identity of the thing and word choice is considered secondary, but in poetry, so much of what makes a poem itself comes down to individual words and punctuation marks, changing one can be significant, let alone changing the entire text.